The idea for Alpine Symphony came from a walking climb in the mountains.
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RALPH WILLIAMS-MORGAN British composer born in Wales 23 Apil 1937, though retaining a casual interest in composition and piano, he abandoned his early formal music training for commerce, family and travel. Eventuatly, the call of music was too strong and composing started prolifically in 1992. Through The Williams-Morgan Piano Competition, he combines introducing music with opportunity for talented pianists. He is dedicated to composing new set music for the Competition and will use Alpine Symphony. initially, he plays and records all compositions, and later, enjoys hearing different interpretations of that music during the competitions. Two other recordings of his work are available as piano arrangements : Album: Wistful Symphony Inclndes 6 works ,9 tracks Approximate total playing time 58.46 Cat No 01 61012-(4607-2) Single - EP: Reflections of Pied Piper 6 tracks Approximate total playingtime 44.48 Cat No 06 11062 EPI INTRODUCTION and information by the composer It was in the early 1980's the idea for Alpine Symphony germinated. My notes show that part of the first, and all of the second movements were in that short original work of about six minutes. Yet, it was 1994 before I returned to my musical idea, which was a walking climb in the mountains, and views. The music tries to suggest that when taking such a walk, most views are constant. Later, apart from there being another side to a mountain, as the height increases, the walker becomes more aware of those views. Eventually, the walker reaches the top of the mountain and discovers the grand scheme of things by taking in, views from the top. One. Echoes and Valleys The first movement tries to suggest the majesty of mountains with the walker becoming aware of sound, height and valleys at the start of an imaginary journey. Two. Early Views The second movement suggests the walker enjoying pastoral scenes as the height increases. Three. Views From This Side The third movement suggests a greater vista of those earlier pastoral views. Though views remain constant from this side, the walker becomes more aware of them as height increases. Perhaps, even hearing tolling bells in the distance. Four. Views From The Other Side The forth movement takes the imaginary walker around the other side of the Mountain Here, while views are similar, in many ways they are different. Towards the end there is a sense of those views being grand mountain scenery. Five. Views From The Top The short fifth movement is the destination for the work. It puts the experience of the walking climb and all the views into context and there is no more to say. Also available are Music Books that follow his performance Register Register your name and address with: The Williams-Morgan Piano Competition RWMmusic P.O. Box 166 Northwood Middlesex HA6 2EZ Tel: 01923 841 645 Fax: 01923 841 785 E-mail: wmpc@rwmmusic.com Entry Form Request an entry form when you register or download from www.rwmmusic.com or visit a sponsor stockist Set Music Purchase the set music from a sponsor stockist or purchase download from www.rwmmusic.com Sponsor Stockist Academy Music Tel: 01273 473 270 Fax: 01273 480 300 E-mail: sales@academymusic.co.uk Sponsor RWMmusic Tel: 01923 841 645 Fax: 01923 841 785 E-mail: info@rwmmusic.com
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